Touching drawing challenge and delight

challenge and delight

or is text in this context consigned to the realms of gimmick and catchphrase

abandoned buildings and unfinished infrastructures

“the more expensive” and “the traditional” types of colour pigments succeed with presentations of the work of key colour theorists of each era

Touching drawing challenge and delightWith Touching, Lina Scheynius exposes, re exposes, superimposes film and bodies. The ancient sculpture is the starting point of a vibrant dialogue with her own body, a subtle alliance between the organic and the mineral, which her unique eye reveals here. This series of unpublished photographs summons centuries of art in a contemporary gaze entirely realized with film camera, it is nevertheless unbearable for our so prudish screens. This very large